Ebru, also known as paper marbling, is the Turkish tradition of painting on water, and it creates this beautiful design that looks just like marble!
Let me say this now – I am disastrous at art.
I was once told by my art teacher that if I took GCSE art and tried really, really, really hard, I might just scrape a C. And that was my art career over aged 14.
So when I found out that I’d be learning the ancient art of ebru, the art of painting on water, while I was in Istanbul, I didn’t hold out much hope that I’d be any good.
The results? Jackson Pollock eat your heart out.
Ebru, also known as paper marbling, is a Turkish tradition that dates back to the Ottoman empire at the beginning of the 16th century.
It is an art form where you paint directly on the surface of water, and once you’ve finished your design you place a sheet of paper on the surface to transfer the design from the water onto the paper.
The Ottomans used ebru to decorate the spines of books with intricate and colourful designs. It was also used as a type of code – if the pattern on the spine was broken then you’d know pages were missing and someone had intercepted the message. How clever is that!?
Ebru can be a little bit gruesome too.
Because everything is so traditional, ebru uses the same techniques as centuries ago. Nothing has really changed. This means that ox bile is added to the water to prevent the paints from all sticking together (I’m sure 99% of you have never smelled ox bile before but it stinks).
Also, some of the colours like the ruby red are made from boiling beetle wings and then grinding it down into a powder.
You see, I said it was gruesome!
While I was in Istanbul with Lonely Planet, we wanted to find those local stories and those traditions you can’t find anywhere else in the world. That’s why I found myself at Mehmet Önal’s house, to learn ebru straight from the master.
Mehmet learned ebru from his dad and grandad, and he’s been practicing ebru for the last 60 years.
Not only that, but his daughter Nazan and granddaughter Sera are also ebru artists, so this really is a family tradition.
It was actually Nazan who taught me the finer details of ebru.
The first thing you do is choose your base colours – these are the ones that create this beautiful marbling effect – and with two fingers you tap the brush to splatter the paint over the surface of the water. If you want big dots, you hold the brush closer to the water. If you want tiny dots, you hold it further away from the water.
Then, once your based layer is done, it is time to start creating a design. Because drawing on the surface of water is difficult, it is all very abstract. Most designs are of animals, flowers and stars, but it really is only limited by your imagination!
What I loved about ebru is you can create beautiful brightly coloured designs fairly easily. I mean, I felt like the stuff I created was half-decent, and that’s really saying something.
Also, it’s all interpretive. There’s definitely no right or wrong way with ebru – you just choose the colours you want to paint with, splash them on the water and then try and create something stunning.
I felt its beauty was in its simplicity, and this is an ancient tradition that’s been passed from father to son, from mother to daughter, for centuries.
After trying a few designs where I was let loose with my imagination, it was time for my final test to put into practice what I had learned over the day.
For this I was back in the hands of Mehmet.
Watching his every movement, I watched him create this ornate bunch of roses on a marble background. I think it had about nine different steps in total and I lost track of it all around step four.
Obviously I was set up to fail – that’s why we had a camera crew with us – but I think everyone was more than a little bit surprised with the final results. I mean, it wasn’t good by any stretch of the imagination, but you could tell it was a bunch of flowers, so in the respect I think I did well.
The thing about ebru is it really puts you in the moment – from flicking the paint to drawing on the surface of the water, it requires you to really concentrate on what you’re doing. Because of that it’s incredibly calming and therapeutic. All that matters is that moment, and I love that.
I have to admit it was incredibly humbling learning the ancient art of ebru from this family who were so keen to impart their knowledge onto me. I just hope I didn’t let them down!
It’s not every day you get to practice something such as ebru, and after 17 years it’s nice to prove my art teacher that perhaps I can do art after all.
Photos of paper marbling
Have you ever tried ebru or paper marbling before? If not, is it something you’d like to try? Let me know in the comments below!
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